Inspiration
Henk Gieskens is an Artist living in London. This blog is a container full of my inspiration and work. www.henkgieskens.com
Inspiration
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likeafieldmouse:

Oscar Tuazon - Leave Me Be (2011)
likeafieldmouse:

Oscar Tuazon - Leave Me Be (2011)
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aleyma:

Noh costume (karaori), made in Japan in the 18th century (source).
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realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
realmofgaia:

Medusa by Guido Mocafico.
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likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
likeafieldmouse:

Valerie Snobeck
1. Elected Space and Tool Constructs
2 & 3. Without Reverb
4. Dennis’s Flower
5 & 6. Martha’s Flower
7. Formed Ropes
8. 2230, 2830 
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drencrome:

.
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darksilenceinsuburbia:

Kacper Kowalski.
Aerial Photography.


Website
darksilenceinsuburbia:

Kacper Kowalski.
Aerial Photography.


Website
darksilenceinsuburbia:

Kacper Kowalski.
Aerial Photography.


Website
darksilenceinsuburbia:

Kacper Kowalski.
Aerial Photography.


Website
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likeafieldmouse:

Bonnie Mably - Trace (2013)
Artist’s statement:
“Trace is a manmade interpretation of geological phenomena / strata. It is comprised of surplus materials from plaster casts and sculptures collected over time. A trace of other peoples work existing in the piece, echoing the trace of man in the universe.”
likeafieldmouse:

Bonnie Mably - Trace (2013)
Artist’s statement:
“Trace is a manmade interpretation of geological phenomena / strata. It is comprised of surplus materials from plaster casts and sculptures collected over time. A trace of other peoples work existing in the piece, echoing the trace of man in the universe.”
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artchipel:

Li Hongbo 李洪波 (b.1974, China)
Even for a book editor and designer, Li Hongbo has an unusual attachment to paper.  “I love it and collect it,” he says.  He also does increasingly audacious experiments with it. The installation Paper (2010) began when Li Hongbo bought one of the “honeycomb” paper balls used for festive decorations in China and took it apart to see how it was made.  “I realised it’s really quite simple,” he says. “Yet the flexibility in terms of shape and properties is amazing.” His take on this craft tradition is indeed amazing, and it is made entirely of common paper.  With the help of an assistant, Li Hongbo stuck more than 30,000 sheets together with carefully placed stripes of glue to form what look like two large blocks of balsa wood. Using an electric saw, he carved these stacks into identical human figures. One he leaves intact, except for a toppled head; the other is stretched out like a vast accordion, its torso and limbs looping around the gallery space like a gigantic Slinky toy. Many visitors find it hard to believe that it ever looked anything like its upright twin. The artist hopes the work will awaken viewers to what captivates his own imagination: “the endless possibilities of paper.” (src. White Rabbit Collection)
[more Li Hongbo | artist found at thisiscolossal]
artchipel:

Li Hongbo 李洪波 (b.1974, China)
Even for a book editor and designer, Li Hongbo has an unusual attachment to paper.  “I love it and collect it,” he says.  He also does increasingly audacious experiments with it. The installation Paper (2010) began when Li Hongbo bought one of the “honeycomb” paper balls used for festive decorations in China and took it apart to see how it was made.  “I realised it’s really quite simple,” he says. “Yet the flexibility in terms of shape and properties is amazing.” His take on this craft tradition is indeed amazing, and it is made entirely of common paper.  With the help of an assistant, Li Hongbo stuck more than 30,000 sheets together with carefully placed stripes of glue to form what look like two large blocks of balsa wood. Using an electric saw, he carved these stacks into identical human figures. One he leaves intact, except for a toppled head; the other is stretched out like a vast accordion, its torso and limbs looping around the gallery space like a gigantic Slinky toy. Many visitors find it hard to believe that it ever looked anything like its upright twin. The artist hopes the work will awaken viewers to what captivates his own imagination: “the endless possibilities of paper.” (src. White Rabbit Collection)
[more Li Hongbo | artist found at thisiscolossal]
artchipel:

Li Hongbo 李洪波 (b.1974, China)
Even for a book editor and designer, Li Hongbo has an unusual attachment to paper.  “I love it and collect it,” he says.  He also does increasingly audacious experiments with it. The installation Paper (2010) began when Li Hongbo bought one of the “honeycomb” paper balls used for festive decorations in China and took it apart to see how it was made.  “I realised it’s really quite simple,” he says. “Yet the flexibility in terms of shape and properties is amazing.” His take on this craft tradition is indeed amazing, and it is made entirely of common paper.  With the help of an assistant, Li Hongbo stuck more than 30,000 sheets together with carefully placed stripes of glue to form what look like two large blocks of balsa wood. Using an electric saw, he carved these stacks into identical human figures. One he leaves intact, except for a toppled head; the other is stretched out like a vast accordion, its torso and limbs looping around the gallery space like a gigantic Slinky toy. Many visitors find it hard to believe that it ever looked anything like its upright twin. The artist hopes the work will awaken viewers to what captivates his own imagination: “the endless possibilities of paper.” (src. White Rabbit Collection)
[more Li Hongbo | artist found at thisiscolossal]
artchipel:

Li Hongbo 李洪波 (b.1974, China)
Even for a book editor and designer, Li Hongbo has an unusual attachment to paper.  “I love it and collect it,” he says.  He also does increasingly audacious experiments with it. The installation Paper (2010) began when Li Hongbo bought one of the “honeycomb” paper balls used for festive decorations in China and took it apart to see how it was made.  “I realised it’s really quite simple,” he says. “Yet the flexibility in terms of shape and properties is amazing.” His take on this craft tradition is indeed amazing, and it is made entirely of common paper.  With the help of an assistant, Li Hongbo stuck more than 30,000 sheets together with carefully placed stripes of glue to form what look like two large blocks of balsa wood. Using an electric saw, he carved these stacks into identical human figures. One he leaves intact, except for a toppled head; the other is stretched out like a vast accordion, its torso and limbs looping around the gallery space like a gigantic Slinky toy. Many visitors find it hard to believe that it ever looked anything like its upright twin. The artist hopes the work will awaken viewers to what captivates his own imagination: “the endless possibilities of paper.” (src. White Rabbit Collection)
[more Li Hongbo | artist found at thisiscolossal]
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showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
showslow:

Aerial Photos of Iceland Volcanic Rivers by Andre Ermolaev
Iceland is a wonderful country; I would even say that it is a true paradise for all the photo shooting-lovers. But what has become a real discovery for me is the bird’s eye view of the rivers flowing along the black volcanic sand.  It is an inexpressible combination of colors, lines, and patterns. The photo represents the mouth of the river falling into the ocean.
A little bit upstream there is a yellow-colored brook flowing into the river, but yellow currents fail to mix with the main water flow.  One can estimate the scale judging by the car tracks that are clearly seen on the black sand. This is just a river, just a volcano, just our planet. 
- Andre Ermolaev (via)
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likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
likeafieldmouse:

Jacob Kassay
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weissesrauschen:

Günther Uecker Edition Kunst+Konzert: Hilary  2013/2014
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weissesrauschen:

untitled II [andre gansebohm] by Andre Gansebohm on Flickr.
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efedra:

Marian Tubbs
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